Penerapan Teknik Penataan Cahaya pada Produksi Drama Televisi "Analog"
DOI:
https://doi.org/10.56873/jimk.v8i2.265Keywords:
Television Drama, Lighting Arrangement, Three Point of Light, Artificial Light.Abstract
Television drama is often known as sinetron (Indonesian soap opera), since the plot story is short but it conveys message that describe social life or daily life. Television drama requires proper lighting. Inappropriate lighting arrangement could make the information is not conveyed clearly to the audience. The author found that there are several shortcomings in terms of technical lighting in several television dramas such as in the first series of Ada Apa Dengan Cinta, Dua Garis Biru, and Before Sunrise. The shortcomings appeared in those dramas regarding light intensity that was over exposed, ineffective lighting arrangements and others. To overcome this problem, television drama "Analog" applied the three point of light technique as a basic lighting set-up and applies the artificial light technique as artificial light to convey time background information. In implementing this technique the author uses Godox SL200W and GVM 560AS lighting which are equipped with lighting support equipment such as diffuser filters, CTB filters and CTO filters. The application of the three point of light technique and artificial light technique makes the television drama "Analog" have the right lighting quality. As the result, the drama has an artistic impression and background information that can be conveyed clearly to the audience.
Downloads
References
Harris, G. (2 Desember 2021). Understanding Lighting: Front Light, Back Light & Side Light. Learning with Experts. Dikutip pada 28 Mei 2022 dari https://www.learningwithexperts.com/photography/blog/understanding-lighting-direction.
Fireball VFX. (25 Mei 2011). Cinematic Lighting – Three Point Lighting Tutorial [Video]. YouTube. Dikutip pada 1 April 2022 dari https://www.youtube.com/watch?v=ZdukxocU9Ss
IMDb. (28 April 2016). What’s Up With Cinta. Dikutip pada 28 Juni 2022 dari IMDb.com: https://www.imdb.com/title/tt5687416/?ref_=tt_mv.
Leo, A. (2000). Teknik Tata Cahaya untuk Produksi & Penyiaran TV. Jakarta: Institut Kesenian Jakarta.
Lestari, A. D. & Subechi, I. (2019). Optimalisasi Lighting Arrangement pada Drama Televisi Kisah Seorang Lelaki. Jurnal Ilmiah Produksi Siaran, 5(2), 74-86.
Linklater, R. (Sutradara). (1995). Before Sunrise [Film]. Castle Rock Entertainment.
Noer, G. S. (Sutradara). (2019). Dua Garis Biru [Film]. Kharisma StarVision Plus; Wahana Kreator Nusantara.
Plaza Kamera. (n.d.). Godox SL-200W LED Video Light. Dikutip pada 22 Juni 2022 dari Plazakamera.com. https://www.plazakamera.com/shop/godox-sl-200w-led-video-light/
Prasetya, G. (16 Februari 2018). Belajar Dasar Pencahayaan untuk Fotografi ×€ Basic Lighting Knowledge [Video]. YouTube. Dikutip pada 28 Juni 2022 dari https://www.youtube.com/watch?v=_G51LWhhqY4
Tangkas, A. (2020). Lighting Studio Televisi, Outdoor, dan Pementasan. Yogyakarta: Deepublish.
Soedjarwo, R. (Sutradara). (2002). Ada Apa Dengan Cinta [Film]. Miles Production; Starvision Plus.
Walady, I. S. (2023). Penataan Cahaya pada Film Annoying Boy. Surabaya: Universitas Dinamika.
Yongtek. (n.d.). Diffuser Film/Sheet. Dikutip pada 29 Juni 2022 dari https://www.yongtek.com/diffuser-film-sheet-151p.html.
Downloads
Published
Issue
Section
License
Authors who publish articles in this journal agree to the following terms:
- Copyright remains with the authors and grants the Journal of Communication and Multimedia Science the authority to publish the article under the Creative Commons Attribution 4.0 International License, which allows the article to be shared with acknowledgment of the article's authors and this journal as the place of publication.
- Authors may distribute their article publication non-exclusively (for example: in a university repository or book) with notice or acknowledgment of publication in Option journal.
- Authors are permitted to post their work online (for example: on a personal website or in a university repository) before and after the submission process (see The Impact of Open Access)

