Scene Image Continuity In The Directing Television Drama “ Kuwi Nggonkuâ€
DOI:
https://doi.org/10.56873/jimk.v9i1.304Keywords:
Director, Television Drama, Image ContinuityAbstract
The television drama “Kuwi Nggonku†is an interesting drama show. This drama applies image continuity in several scenes. There are four types of continuity, namely Content Continuity, Movement Continuity, Position Continuity, and Dialogue Continuity. The television drama “Kuwi Nggonku†tells the story of social conflicts that exist in society, specifically regarding the orderliness in the cleanliness of public toilets. In creating this production work, the method used is 3 stages of production, namely pre-production, production, and post-production (including evaluation). The implementation of image continuity in the television drama Kuwi Nggonku aims to maintain image balance so that it does not jump and convey the character's mood well, supported by cut in and cut away editing techniques. The implementation of image continuity in this production results ; Continuity in the production of “Kuwi Nggonku†makes it easier for the audience to understand the story line, Continuity of the images also supports strengthening the conflict of the story being created, the more the continuity of the images is maintained, the more it will support the audience to be able to focus on the conflict.References
Al-Firdaus. (2010). Buku Lengkap Tuntunan Menjadi Kameraman Profesional. Buku Biru.
Harista, B.H. & Oktora, D.D, (2023). Membangun Theatre of Mind Program Variety Radio“Santai Sejenak†Episode “Memoriesâ€. Jurnal Ilmiah Multimedia dan Komunikasi 8 (1), 19-29. https://doi.org/10.56873/jimk.v8i1.223
Harymawan, RMA. (1993). Dramaturgi. Rosda Karya
Iman, N., Astuti D.A, & Kristiadi D. (2023). Penerapan Teknik Penataan Cahaya pada Produksi Drama Televisi “Analogâ€. Jurnal Ilmiah Multimedia dan Komunikasi 8 (2), 109-116. https://10.56873/jimk.v8i2.265
Murbaningsih M.A., Purwanto & Wahyudin A., (2019). Strategi Manajemen Dalam Mempertahankan Eksistensi Program Siaran Dunia Dongeng di RRI Purwokerto, Jurnal Heritage 8 (2), 153 -168. https://10.35891/heritage.v8i2.2393
Naratama. (2013). Menjadi Sutradara Televisi. PT. Grasindo
Nugroho, Sarwo. 2014. Tehnik Dasar Videografi. CV Andi Offset
Sastro Subroto, Darwanto. 1994. Produksi Acara Televisi. Duta Wacana University Press
Thompson, Roy. 2001. Grammar of the Shot. Focal Press.
Downloads
Additional Files
Published
Issue
Section
License
Penulis yang menerbitkan artikel di jurnal ini menyetujui ketentuan berikut:
1. Hak Cipta tetap pada penulis dan memberikan hak kepada Jurnal Ilmiah Komunikasi dan Multimedia sebagai otoritas untuk menerbitkan artikel dengan Lisensi Creative Commons Atribusi 4.0 Internasional, yang memungkinkan artikel untuk dibagikan dengan sepengetahuan penulis artikel dan jurnal ini sebagai tempat publikasi.
2. Penulis dapat mendistribusikan publikasi artikelnya secara non-eksklusif (misalnya: pada repositori universitas atau buku) dengan pemberitahuan atau pengakuan publikasi di jurnal Option.
3. Penulis diperbolehkan memposting karyanya secara online (misalnya: di situs pribadi atau di repositori universitas) sebelum dan sesudah proses penyerahan (lihat Pengaruh Akses Terbuka)

